A twelve‐foot‐high aluminum arch commemorates the thousands of Africans who perished during the transatlantic slave trade. Composed of two halves, which bend towards one another but never touch, the work symbolizes “the need for the past, present,…
Polished black granite in the shape of an upright headstone with an arched top, is dedicated to the memory 26 men of the 26th Regiment Infantry U.S. Colored Troops who enlisted between 1863 and 1864 at the St. James A.M.E. Zion Church, Ithaca, NY.…
The stone obelisk, which stands on a square stone base, honors the memory of the 175 African American soldiers of the 56th United States Colored Infantry who died of cholera in August 1866. The soldiers were originally buried at the city's old…
Standing resolutely forward, the muscular figure of a shirtless self-emancipated man ('neg maron' or black maroon), with broken shackles and chains around his wrists and neck, holds a conch shell to his lips. The bronze figure, located in the center…
The work depicts an abstracted human figure, arms outstretched above their head, broken chains hanging from each wrist. Both the frontal and posterior planes of the body are painted black, while the sides of the body are painted white. A geometric,…
The statue depicts a male freedom seeker from the waist up. His head is turned to his right shoulder, looking back toward the south and leaning to the north as he presses down with his hands on a stone circle to hoist himself out of an underground…
The design of this 40-foot-long gathering space connects the African American Water Trail, the natural spaces of Beaubien Woods on the Far South Side of Chicago, and the Little Calumet River. The space marks the beginning of the Trail, which contains…
The bronze torsos of two abstracted figures, engaged in a tight embrace, emerge from a rectangular bronze base. Unlike its Liverpudlian counterpart, this work includes the addition of bronze low-relief designs, reflecting images related to the…
The iron torsos of two abstracted figures, engaged in a tight embrace, emerge from a rectangular iron base. Two other identical sculptures were erected in 1989 in Belfast, Northern Ireland and Glasgow, Scotland. According to the artist, the works…
The bronze torsos of two abstracted figures, engaged in a tight embrace, emerge from a rectangular bronze base. Unlike its Liverpudlian counterpart, this work includes the addition of bronze low-relief designs, reflecting images related to the slave…